Showing posts with label Mark Wahlberg. Show all posts
Showing posts with label Mark Wahlberg. Show all posts

Wednesday, October 04, 2017

Transformers: The Last Knight: Falls Far Short of the Franchise

Movie Review: Transformers: The Last Knight (2017)
Version: Library borrow

Sorry to be a party pooper, but Transformers: The Last Knight is a mess of a movie. The fifth in the series of Transformers films misses on so many levels, despite a pretty good cast and some pretty good special effects.

Let's start off with the good aspects of the film. It brings back all the great characters we've come to love. Mark Wahlberg as Cade Yeager, for one. Optimus Prime and Bumblebee as the main Transformers, for others. Then Stanley Tucci makes a memorable cameo appearance early on as Merlin, which fills in some back story for the Transformers mythology. But then the film begins to fall apart.

It introduces two totally dispensable characters: Jimmy, who is the caretaker of the Transformers while Earth is at war with them and they are in hiding out in the desert, and Izabella, who is an orphaned 14 year old in the canyons of ruined Chicago whose only "family" is a barely surviving Transformer. Cade rescues her from attack by the TFN (Transformers Reaction Force), but when she wants tag along, and she still manages to follow him everywhere. And from then on, she serves no purpose other than, perhaps, to attract a younger audience to the film. I'm not sure why Jimmy is there once Cade and cadre escape an attack by the TFN.

And that brings me to the next failure of the film. It jumps from venue to venue in the blink of an eye, without establishing spacial relationships. You go from cityscapes to desert landscapes to cityscapes and on and on. In one setting, Cade and his group run away from the TFN, who appear to be right on their tail, to arrive miles ahead in an isolated small desert town.  They battle it out on the street, in a store, then suddenly in a large cathedral, then all of a sudden they're in a glass-faced skyscraper! When that gets blown to bits, they're suddenly back in the streets of the small town. Ohhhh-kay. Then a shiny British robot shows up to rescue them and take them to a waiting flying wing (propeller-driven) plane and they fly off across the ocean to England, with no intercept.

Here we meet Sir Edmund Burton, played by the amazing Anthony Hopkins, who isn't amazing at all in this film. He's a mantle piece, try though he might. And we meet Vivian Wembley, played by Laura Haddock, who is actually refreshing relief in this film. Burton and Wembley are important as the story evolves. They represent past and present in the Transformers universe and they are key to saving the Earth from destruction by Quintessa, the creator of Cybertron, the Transformers' home world.

A good part of this film is cgi generated, obviously, so a good part of the acting is by voice. But I can't give much credit to this part of the film for making it work. It's just typical animation work. It works off the script. The scale of the work is pretty amazing in parts, but other parts are disappointingly "normal" for this franchise. I can't get into too much detail without revealing spoilers.

To wrap up this review, there really were few redeeming qualities to this film. The story was bland. It lacked a back bone, it lacked an emotional impact, it lacked a professional quality. There were so many times I shook my head while watching it, shouted out, "What the hell is going on?" because I couldn't believe what I was seeing. Honestly, the producers fell far short of protecting this franchise.

Wednesday, June 21, 2017

Patriots Day: A No-Holds-Barred Retelling of the Boston Marathon Bombing

Movie Review: Patriots Day (2016)
Version: Library borrow

Patriots Day is a no-holds-barred re-telling of the April 2013 bombing of the Boston Marathon and the community's heroic response in finding terrorits Tamerlan and Dzhokhar Tsarnaev. It features fine performances by Mark Wahlberg as a recovering injured police Sergeant Tommy Saunders on security duty at the finish line, John Goodman as Commissioner Ed Davis, Kevin Bacon as FBI Special Agent Richard DesLauriers, and J.K. Simmons as Watertown police Sergeant Jeffrey Pugliese, along with Jake Pickering as MIT Security Officer Sean Collier (who was assassinated by the Tsnaraev brothers) and Themo Melikodze as the older brother, Tamerlan, and Alex Wolf as is younger brother, Dzhokhar. Jimmy O. Yang is excellent as Dun Meng, the car-jacking victim, who heroically escapes the Tsnaraev brothers and runs for his life to alert police.

Parts of this film are brutal in showing the carnage from the bomb blasts, but it was the intent of the producers and director to be as honest as possible in depicting the destruction and mayhem of that infamous act. Near the end of the story, as police face off against the Tsnaraev brothers on a neighborhood street, there is a fierce shootout scene with amazing multiple pipe bomb explosions. In another scene, Wahlberg puts out an amazing emotional performance as the policeman who has seen it all in the aftermath of the event, bodies and limbs and death, breaking down before his wife. Much of this film is raw, edgy human reaction to terror, and every bit of it makes total sense. None of it is gratuitous or forced.

Patriots Day starts off by showing how key characters begin their day -- from the police, to runners, to innocent bystanders, to the car-jack victim, to the man who finally finds Dzhokhar Tsnaraev in his boat. The pace picks up as the event organizes and police set up security, then the marathon begins. The Tsnaraev brothers build the bombs, watch TV, interact with their family, pack up their backpacks, and go to the finish line. Dun Meng goes about his day, meets a young lady, goes on a dinner date, sits in his car and texts her. The explosions happen and chaos breaks out. People respond to each other with care. The FBI arrives and takes over the investigation. The search is on for who is responsible. The Tsnaraevs plot more action. And so the story continues to unfold to its ultimate conclusion, a city on edge but never going over that edge.

If you remember that event, you know the main story. But you don't know the whole story. Watching Patriots Day, you will relive the event and get to really know how a city came together over a tragedy and never let it take them down. You will witness their courage and feel their strength, even while you empathize with their anguish. The details here are vivid enough you may not want to let young children watch this film, but it's a good history lesson for the rest of us on the time "Boston Strong" became a national anthem and one well earned.

Tuesday, April 25, 2017

Deepwater Horizon: A Drama Bigger Than Life About a Disaster That Was Bigger Than Life

Movie Review: Deepwater Horizon (2016)
Version: Library Borrow

Deepwater Horizon is a dramatic retelling of the 2010 oil drilling disaster offshore of Louisiana. It features a fine cast and awesome special effects to do right by the fateful events of that horrific day when BP (British Petroleum) let the bottom line put lives at stake and cost the lives of nearly a dozen hardworking men drilling for profits on a floating drilling rig in the Gulf of Mexico.

The cast is led by Mark Wahlberg as Mike Williams and Kurt Russell as Jimmy Harrell, who arrive by helicopter to take over their shift as BP executives rush to bring the rig online and finally pump oil and make some money. But on the shift before, BP had made the serious mistake of forgoing critical pressure tests. Mike and Jimmy force the issue on their shift, the BP executives allowing a minimal test that seems to show no problems. But things go horribly wrong and deep sea valves can't take the pressure, sending mud and then water and then gas up the pipes, blowing up the floating rig, starting a fire no one can squelch, killing 11. A nearby ship ordered by BP to standby to load oil is there to rescue men ordered to abandon the rig, who jump into the sea. Families back on land hear of the disaster at sea and are desperate to hear news, but are told little.

The drama focuses on the events on the platform at sea and then the eventual rescue and reuniting with family on land. There is a final scene of Mike and Jimmy giving evidence in court, but what you mostly witness is the foolishness of the BP executives and the bravery of the men on the rig. The scenes are cataclysmic. They don't leave much to the imagination. In the end, in every frame you can feel the trauma of those who suffered the disaster.

Deepwater Horizon is a first class disaster film done right. It touches on a moment in history we should all remember, and it gives us a glimpse into heroism, the consequences of foolishness, and results of refusing to give up when doing what's right is what is best. This drama is bigger than life because the disaster was bigger than life, at a time when lives were truly at risk.

I can say without a doubt, you should see this film. It honors those who died by telling in excruciating detail how they died. But this isn't gratuitous violence, this is truth.