Showing posts with label Kevin Hart. Show all posts
Showing posts with label Kevin Hart. Show all posts

Sunday, June 20, 2021

Fatherhood: A hit way out of the park

Movie Review: Fatherhood (2021) on Netflix

Oh, wow! I'm loving Kevin Hart in this serious modern drama, Fatherhood. This puts him in the legions of some of the greats.

Hart plays Matt Logelin, a young husband who loses his childbearing wife Liz (Deborah Ayorinde) right after childbirth and is left to raise his new daughter Mandy (Melody Hurd) on his own. It's not as if he doesn't have offers of help, but he owes it to his wife's memory to get it right and he owes it to his own father not being there for him to be there for Mandy. Being there for Matt are a host of great role models of friends and family, including Liz's mother Marion (Alfre Woodard) and dad Mike (Frankie Faison), Matt's mother Anna (Thedra Porter), and close friends Jordan (Lil Rel Howery) and Oscar (Anthony Carrigan). Then friends try to link Matt up with an eligible single woman at a birthday party, Lizzie (DeWanda Wise), whom Matt finds fun and attractive but decides is a distraction in his relationship with Mandy. And then there's Matt's job in IT, where he's quite the up and coming success but being a new dad makes for complications. How can he do it all?

Now, there is plenty of humor in this movie. And that's been Kevin Hart's main ploy as an actor. But in Fatherhood, he gets to stretch his muscles and man, does he stretch. This is a great part for Hart! He plays perfectly opposite little Melody Hurd as his daughter and he matches beat for beat with the seasoned Alfre Woodard. Where he seems most natural is with DeWanda Wise, who is totally in tune with Hurd, too. 

Fatherhood was perfect for play on Father's Day, but it's great viewing for anytime of the year. It hits all the right emotional strings, light plinks of humor, heavy tones of sentimentality, deep melodies of sadness, and great sweeping rhythms of joy. Play it for the whole family, because everyone can get the various themes and love the characters. I'd rate Fatherhood A^^ for A hit way out of the park.

Sunday, April 15, 2018

Jumanji: Welcome to the Jungle: A Great Laugh for the Whole Family

Movie Review: Jumanji: Welcome to the Jungle (2017)
Version: Library borrow

I haven't enjoyed a movie like Jumanji: Welcome to the Jungle in a long time -- it was full of laughs! Grab-your-tummy laughs. Laugh-out-loud laughs. Giggle in your guts laughs.

Four misfit teens end up in detention at school. Rather than sitting at desks doing boring homework for detention, they're assigned to pull staples from old magazines as punishment, and unsupervised by the school counselor, they look for other diversions when they become bored to tears. Spencer (initially played by Alex Wolff) finds a dusty old video console with a game cartridge, which he hooks up to a dilapidated old analog TV. One by one Spencer and the other characters come over and pick out game characters to play. Spencer is a quiet nerd. Fridge (initially played by Ser'Darious Blain) is a tall, over confident jock. Bethany (initially played by Madison Iseman) is a self-absorbed blonde bomb. Martha (initially played by Morgan Turner) is a reclusive girl who lacks self confidence. As they pick out different macho sounding game characters and start the game, they are sucked into the console and are brought into the jungle land of Jumanji.

As Spencer, Fridge, Bethany, an Martha arrive, they become the characters they have chosen -- and totally unlike themselves physically. Spencer is this tall, handsome, muscular heroic figure (played by macho man Dwayne Johnson). Fridge is a short, scrawny Black dude (played by fearful comedian Kevin Hart). Bethany the young and beautiful becomes this squat, fat, bearded older dude (played by Jack Black). And Martha the insecure and unsocial becomes the fearless and badass (played by Karen Gilann). Into the story, they are joined by Nick Jonas as Alex, who had been an earlier player lost in the game and unable to escape on his own but learns to team up with the others to battle the game.

As with the original movie Jumanji, the idea is that once you begin playing you can't quit until you finish the game, and you face many ultimate dangers. In this case, the players are set on an island jungle where they must find their way across the land to locate a stolen jewel and return it to its rightful place. Working against them are a plethora of jungle animals and the bad guy who originally removed the jewel from its place of honor. As with many video games, the players are given clues and goals to accomplish before they can reach each step of the game. And each character they play has abilities and weaknesses, which they can use to help them or which provides conflict in reaching their goals. And each character has three lives to spend trying to reach their goals. If they are killed, they come back.

What's so amazingly fun about this movie is watching Johnson, Hart, and Black play reverse roles from their stereotypes. Johnson the testosterone-driven hero becomes a mild and meek guy unsure of the way to proceed. Hart whose character originally is this self-confident jock becomes this insecure little man. Black plays off femininity and girlish charm while oozing fat-old-guy ugliness. And they're hilarious. There's a scene in which Hart and Black have to take a leak and Black, originally a girl, discovers her penis for the first time, and it's handled with sensitivity but it's so funny. Just seeing Jack Black play a light-headed, self-absorbed beauty queen is uproariously funny. And when Nick Jonas's character Alex arrives, Jack Black's character Bethany becomes so giddy. Again, so funny! Karen Gilann's character Martha becomes a badass martial artist, often a scream as she tackles bad buys on motorcycles or in a fight in the jungle.

The situations the writers put these characters and actors into are imaginative and simply fun to watch. And as the story progresses, you watch them grow as persons, so this isn't just a movie about jokes, there's a message there, too.

When the movie was over, we discussed which version of Jumanji we liked best. My daughter and I thought we liked Welcome to the Jungle best. My wife thought she still liked the original best, despite having spent a good portion of Welcome to the Jungle giggling with the two of us. In my humble opinion, you get the adventure, the conflict, the danger, and the great characters of the original in this second film, but you get the added benefit of tons of laughter. And darn it, as much as I loved the late Robin Williams in the original, there was something really original about the casting of Johnson, Hart, and Black in Welcome to the Jungle.

If you want a movie where you can relax over a good laugh -- no, a great laugh -- definitely see Jumanji: Welcome to the Jungle. You won't regret it. Giggles for the whole family.

Wednesday, November 29, 2017

Captain Underpants: The First Epic Movie: Good for a Giggle or Two

Movie Review: Captain Underpants: The First Epic Movie (2017)
Version: Library borrow

Captain Underpants: The First Epic Movie is as juvenile as you might expect it to be. Well, it is a movie for juveniles. But it is juvenile in a fun and upbeat way, so if your kids want to see it, you really don't have to worry. It's fun for them and you should get a few laughs out of it, too. It's full of enthusiasm and over-the-top kid pranks that kids can appreciate but are unrealistic, so don't worry that yours will get any crazy ideas. And it's great animation.

The gist of the story is that the two main characters, George and Harold, pull pranks at school because principal Mr Krupp makes school so miserable it's the only way to survive. And they pull epic pranks, mostly at the expense of Mr Krupp. Now, Mr Krupp doesn't like anything that kids like, especially arts programs, and especially the comic books the George and Harold write and draw involving a superhero named Captain Underpants. Mr Krupp's act of revenge against George and Harold is to assign them to separate school rooms, at opposite ends of the school, threatening to end their lifelong friendship. Sneaking into his office, they discover a drawer full of objects they have owned that Mr Krupp has taken from them, including a plastic hypnotizing ring, which they accidentally use to hypnotize Mr Krupp into believing he is and acting like Captain Underpants. And so the fun begins, as the belligerent Mr Krupp becomes the benign but blundering superhero of their dreams at the command of their every whim. Their only problem comes when Captain Underpants acts beyond their control to hire Professor Poopypants (I told you this was juvenile!) as the new science teacher, who then becomes the evil genius out to remove laughter from every student at school.

The only name I recognize among the voice actors is Kevin Hart as George. But everyone else delivers good performances in this entertaining ensemble cast: Thomas Middleditch as Harold, Ed Helms as Mr Krupp and Captain Underpants, and Nick Kroll as Professor Poopypants. The animation is well done, too. Nothing is done in proportion, which is usual in animation, but this is taken to extreme, which if you think about it, is appropriate for "the first epic movie". Everything technical about this kid-friendly film makes it a fun romp, and all kids, except perhaps the serially serious, will love it. And even the serially serious have a character they can appreciate: Melvin, who doesn't get any of George and Harold's jokes and pranks. Be careful of him, he becomes Professor Poopypants's accomplice!

Captain Underpants: The First Epic Movie is based on the popular book series, but you don't really have to have read the books to enjoy the movie. Cuddle up with your little ones some cold evening and enjoy a giggle or two.

Monday, September 04, 2017

Central Intelligence: Watch It for the Comedy and the Actors and You'll Be Fine

Movie Review: Central Intelligence (2016)
Version: HBO on demand

Central Intelligence is a great vehicle for Kevin Hart, maybe not so much for Dwayne Johnson. For Kevin Hart, it shows great range as an actor. For Dwayne Johnson, it rips apart his image as a macho tough guy with softer edges -- his character is a vulnerable guy bullied as a teen, which despite reworking his tubby body into a muscular powerhouse wimps out at the sight of his former bullies.

That said, Central Intelligence is innocent fun for weekend entertainment. The gist of the film is Calvin Joyner (played by Kevin Hart), once elected in high school as most likely to succeed who finds himself 20 years later married to his prom queen high school sweetheart a less than successful accountant, while she's a full partner at a top legal firm. His biggest decision is whether to accompany her to the high school reunion, when out of nowhere comes Bob Stone (played by Dwayne Johnson), a dweeb embarrassed the day of the prom by bullies by forcing him in a full auditorium naked, to the roar of the crowd. But Stone is now totally different, chiseled into a slim, muscle-toned Adonis. Back in high school, Calvin had been Bob's only friend, offering Bob his letter jacket to sneak out of the auditorium, and he wants to make connections with Calvin again, meet up over some drinks. Rather than meet with his wife, Maggie (played by Danielle Nicolet) to discuss going to the class reunion, Calvin chooses the meet up with Bob. And thus ensues an unlikely alliance that becomes an enlistment to help Bob on a CIA mission to secure national secrets, much to Calvin's distaste.

Central Intelligence is a comedy, with Dwayne Johnson playing up a very insecure Bob Stone. It's almost creepy the ease with which he assumes this character. Kevin Hart is masterful as the man out of his element who definitely doesn't want to be there but shoved into the role, but still resisting all the way. Well into the film arrives Justin Bateman as Trevor, the high school bully become stock trader who amiably assists the secret agent duo in uncovering a stock trading code, but then turning on a dime to return to his evil self to torment them. He's actually quite good at playing a bully. Amy Ryan plays Agent Pamela Harris, head of a CIA team trying to stop Bob, who they suspect of being a double agent, and Bob, who they see as his accomplice. Johnson gets to flex his muscles and kick a few asses, so he isn't totally out of his element, and so Central Intelligence also gets to be a typical spy movie at the same time.

There isn't much by way of technology, design, or special effects to make this film stand out. It's all about the comedy and minimal action. Watch it for the story and actors and you will be fine. Don't expect too much and you won't be disappointed.